The Art of Remembrance exhibition has reached its final stop. On 18 September, the exhibition opened at La Coupole Museum in Wizernes, France, bringing together works by four contemporary artists who developed art pieces during residencies at four European sites of memory.
The opening marked the final chapter of the exhibition’s 2026 European tour, following presentations at the Polo del Novecento in Turin (Nuto Revelli Foundation), the Bastogne War Museum in Belgium and the Sybir Memorial Museum in Poland.
Coordinated by Tempora and the LRE Foundation, with the financial support of the European Union, Art of Remembrance brings together artists Rebekka Bauer, Raphaël Dallaporta, Juhana Moisander and Gail Ritchie. Through their different artistic approaches, the exhibition explores how places, archives and personal stories can shape our understanding of war and memory.
The exhibition is open to the public at La Coupole Museum until 15 November 2026.
Gail Ritchie’s residency at La Coupole
For its final stop, Art of Remembrance returns to one of the sites that played a central role in the project. Northern Irish artist Gail Ritchie undertook her residency at La Coupole, working with the museum’s archives, underground tunnels, architecture and surrounding landscape.
A former V2 rocket base, La Coupole brings together different layers of history, from German military technology and forced labour to the development of space exploration. During her residency, Ritchie explored the tensions between technological progress and human suffering, looking at how people and other living beings can become instrumentalised in the pursuit of progress.
Four works resulting from her residency are presented in the exhibition.
In The Party, a vintage ceramic plate in V2 camouflage colours is paired with an aluminium egg, connecting militarised aesthetics with the domestic and imaginative acts found in the recipe notebook of Maurice Bourdon, a forced labourer at La Coupole.
Hector (In memoriam 1961) depicts a life-sized aluminium rat wearing an anti-gravity suit. The work refers to Hector, a laboratory animal sent into space by the French space programme, while also evoking the forced labourers whose lives were treated as expendable. .
The drawing series Crater / Creatura connects the tunnels of La Coupole, the bombed wartime landscape, the surface of the Moon and the imprint of an egg in concrete. Macha, meanwhile, features a taxidermy crow surrounded by aluminium and silver wire, reflecting on the wildlife reclaiming the site and themes of fragility, endurance and survival.
Together, Ritchie’s works invite visitors to look at La Coupole through a different lens, as a place where histories of war, technology, exploitation and survival continue to intersect.
The opening at La Coupole brings the Art of Remembrance tour to a close, after a year of artistic encounters across Europe. The exhibition offers visitors a chance to discover these different perspectives and reflect on how contemporary art can create new ways of engaging with sites of memory.

